Iconography
RELIGIOUS ICONOGRAPHY
Life of Christ
Passion Deposition Virgin embracing Christ
Virgin Mary
Iconography of the Virgin MaryMary's Compassion with Christ Mary with the instruments of the Passion, not confronting a devil
Typology and Prophecy
CyclesManuscripts and Prints Speculum humanae salvationisManuscriptsParis, Bibliothèque Nationale, Latin 9584, and Cambridge, Fitzwilliam Museum, MS 43-1950 (Tuscany or North-Eastern Italy, c1370-1390) → Chapters 40c-45f (Cambridge, fols. 18-25)
CyclesManuscripts and Prints Speculum humanae salvationisChapter 44: The Seven Sorrows of Mary44h: Seventh Sorrow: Mary remaining behind after Christ's Ascension → All images
CyclesManuscripts and Prints Speculum humanae salvationisChapter 44: The Seven Sorrows of Mary44h: Seventh Sorrow: Mary remaining behind after Christ's Ascension → Variant: Mary with objects alluding to Christ's life not arranged in a frame
CyclesManuscripts and Prints Speculum humanae salvationisChapter 44: The Seven Sorrows of Mary44g: Sixth Sorrow: Entombment of Christ → All images
CyclesManuscripts and Prints Speculum humanae salvationisChapter 44: The Seven Sorrows of Mary44g: Sixth Sorrow: Entombment of Christ → Variant: Deposition with Mary receiving Christ's body from the cross
Further details
ARTIST/CREATOR
Tuscan or Italian (North-Eastern)
DATE
circa 1370 - circa 1390
LOCATION
Cambridge, Fitzwilliam Museum → 43-1950, fol. 24r
TEXT/BOOK/DOCUMENT (SOURCE OF PHOTO)
Speculum humanae salvationis
Notes on photograph
BIBLIOGRAPHIC CITATION
Montague Rhodes James and Bernhard Berenson, Speculum Humanae Salvationis. Being a reproduction of an Italian manuscript of the fourteenth century, Oxford 1926
Find out more
RELATIONS
Fitzwilliam Museum
Contact
For comments or queries, please contact photographic.collect@sas.ac.uk