(photo on external web page)
Iconography
RELIGIOUS ICONOGRAPHY
Life of Christ
Passion Before the Crucifixion Christ nailed to the crossCross not fully raised up, Christ being both nailed onto it and stretched out with ropes
Typology and Prophecy
CyclesManuscripts and Prints Speculum humanae salvationisPrinted editionsParis: perhaps Treperel, c1493 (woodcuts also used by Vérard)
CyclesManuscripts and Prints Speculum humanae salvationisChapter 23: Christ nailed to the Cross23a: Christ nailed to the Cross → All images
CyclesManuscripts and Prints Speculum humanae salvationisChapter 23: Christ nailed to the Cross23a: Christ nailed to the Cross → Variant: Cross diagonal, several executioners nail Christ to the Cross, whilst others stretch Him with ropes (but not two doing each)
Types and Prophecies from the Old Testament 4 Kings 4 Kings 3:27: The King of Moab sacrifices his eldest son on the walls to end a siegeType for Christ being nailed to the Cross (SHS)Speculum Humanae Salvationis
Antitypes for episodes from the Passion of Christ Christ nailed to the Cross with the hammering of Tubal-Cain, the first smith, inspiring Jubal to invent singing (Comestor, SHS)Speculum Humanae Salvationis
Antitypes for episodes from the Passion of Christ Christ nailed to the Cross with Isaias sawn into pieces (non-biblical, SHS)Speculum Humanae Salvationis
Antitypes for episodes from the Passion of Christ Christ nailed to the Cross with 4 Kings 3:27: The King of Moab sacrifices his eldest son on the walls to end a siege (SHS)Speculum Humanae Salvationis
Non-biblical narratives treated as Types Isaias is sawn in two by command of King ManassesType for Christ nailed to the Cross (SHS)Speculum Humanae Salvationis
Non-biblical narratives treated as Types The hammering of Tubal-Cain, the first smith, inspire Jubal to invent music Type for Christ nailed to the Cross (SHS)Speculum Humanae Salvationis
Further details
The woodblock series for the Speculum omits a number of common scenes that were replaced with re-used woodcuts, the Speculum blocks were also used in editions by Vérard. Many woodblocks appear in the wrong place.
ARTIST/CREATOR
Paris
DATE
circa 1493
LOCATION
n/a
TEXT/BOOK/DOCUMENT (SOURCE OF PHOTO)
Cest le mirouer de la redempcion humaine (GW M4304210), Paris (perhaps Jan Tréperel), 1493 (circa), fol. n3r
Acknowledgements
Images on external web-page, kindly provided by the Staatsbibliothek zu Berlin Preußischer Kulturbesitz (CC BY-NC-SA 3.0 DE)
Contact
For comments or queries, please contact photographic.collect@sas.ac.uk