Iconography
RELIGIOUS ICONOGRAPHY
Life of Christ
Passion Before the Crucifixion Christ nailed to the crossCross not fully raised up, Christ being nailed to the cross but not stretched out with ropes
Typology and Prophecy
CyclesManuscripts and Prints Speculum humanae salvationisManuscriptsGlasgow, University Library, Hunter 60 (Bruges, 1454-1455)
CyclesManuscripts and Prints Speculum humanae salvationisChapter 23: Christ nailed to the Cross23a: Christ nailed to the Cross → All images
CyclesManuscripts and Prints Speculum humanae salvationisChapter 23: Christ nailed to the Cross23a: Christ nailed to the Cross → Variant: Cross diagonal, Christ being nailed to it but not stretched out with ropes, without Mary or John
Types and Prophecies from the Old Testament 4 Kings 4 Kings 3:27: The King of Moab sacrifices his eldest son on the walls to end a siegeType for Christ being nailed to the Cross (SHS)Speculum Humanae Salvationis
Antitypes for episodes from the Passion of Christ Christ nailed to the Cross with the hammering of Tubal-Cain, the first smith, inspiring Jubal to invent singing (Comestor, SHS)Speculum Humanae Salvationis
Antitypes for episodes from the Passion of Christ Christ nailed to the Cross with Isaias sawn into pieces (non-biblical, SHS)Speculum Humanae Salvationis
Antitypes for episodes from the Passion of Christ Christ nailed to the Cross with 4 Kings 3:27: The King of Moab sacrifices his eldest son on the walls to end a siege (SHS)Speculum Humanae Salvationis
Non-biblical narratives treated as Types Isaias is sawn in two by command of King ManassesType for Christ nailed to the Cross (SHS)Speculum Humanae Salvationis
Non-biblical narratives treated as Types The hammering of Tubal-Cain, the first smith, inspire Jubal to invent music Type for Christ nailed to the Cross (SHS)Speculum Humanae Salvationis
Further details
ARTIST/CREATOR
Bruges
DATE
1454 - 1455
LOCATION
Glasgow, University Library → Hunter 60 (T.2.18), fol. 34r
TEXT/BOOK/DOCUMENT (SOURCE OF PHOTO)
Speculum humanae salvationis
Acknowledgements
Image: Conway Library, © Courtauld Institute of Art, London, negative number 119 22 (8a)
Contact
For comments or queries, please contact photographic.collect@sas.ac.uk