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RELIGIOUS ICONOGRAPHY
Virgin Mary
→ Iconography of the Virgin Mary → Emblem Cycles
→ Ainertshofen, St. Mariae Himmelfahrt (c.1730, Conception, Assumption and Coronation)
→ Altomünster, St. Alto (Mages, 1766-1768)
→ Au am Inn, St. Mariae Himmelfahrt (Albrecht and Kendlbacher, 1722, Incarnation)
→ Bobingen, Liebfrauenkirche, Choir (Vitus Felix Rigl, 1750-1751, Virgin Mary as helper)
→ Bobingen, Liebfrauenkirche, Nave (Vitus Felix Rigl, 1750-1751 Immaculate Conception)
→ Eichstätt, Maria-Hilf-Kapelle (1744, Johann Michael Franz, on verses from the Ave, maris stella)
→ Fürstenfeldbruck, St. Magdalena (Ignatz Baldauff, 1764, The Virgin and the War against the Turk)
→ Indersdorf, Klosterkirche, Rosary Altar (emblem-like images, Bavaria, 1729, Power of the Rosary)
→ Maihingen, Klosterkirche, Choir (Johann Martin Speer, 1752, Immaculate Conception)
→ Neuburg (Donau), Kongregationssaal, North Side (Franz Hagen, 1716-1717, Immaculate Conception)
→ Neuburg (Donau), Kongregationssaal, South Side (Franz Hagen, 1716-1717, Intercession)