Iconography
RELIGIOUS ICONOGRAPHY
Typology and Prophecy / Cycles / Stained Glass / Regensburg, Minoritenkirche (now Munich, Bayerisches Nationalmuseum)
Typology and Prophecy / Types and Prophecies from the Old Testament / Genesis / Gen. 22:9-13: Sacrifice of Isaac / Type for the Crucifixion (BP) / Miscellaneous
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Crucifixion / with Gen. 22:9-13: Sacrifice of Isaac (BP) / Miscellaneous
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Crucifixion / as model for the Stigmatisation of St Francis
Typology and Prophecy / Antitypes for episodes from the Resurrection of Christ to the Coronation of the Virgin / Resurrection of Christ / with Jud. 16:3: Samson walks away with the gates of Gaza (BP, SHS) / Miscellaneous
Typology and Prophecy / Antitypes for episodes from the Resurrection of Christ to the Coronation of the Virgin / Resurrection of Christ / with Vision of Pope Gregory IV on the authenticity of Francis's stigmata
Further details
Fragments of a Tripartite Typology: one window with scenes from the Old Testament, one from the New Testament, one from the life of St Francis
Artist or creator
Date
1371 (before)
Location
Munich, Bayerisches Nationalmuseum (inv. G962 a-d (Christ before Pilate), 973 (Crucifixion), 961a-f (Resurrection), from the Regensburg Minoritenkirche, window I; the typological parallels of Christ before Pilate are unclear)
Notes on photograph
Bibliographic Citation
Sabine Rehm, Spiegel der Heilsgeschichte. Typologische Bildzyklen in der Glasmalerei des 14. bis 16. Jahrhunderts im deutschsprachigen Raum, Frankfurt 1999, pp. 139-152, 528-544, nos. 161-181
Rights and Permissions
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Contact
For comments or queries, please contact photographic.collect@sas.ac.uk