Iconography
ARCHITECTURE
RELIGIOUS ICONOGRAPHY
Typology and Prophecy / Cycles / Stained Glass / Canterbury Cathedral / Typological Redemption Window (Corona)
Typology and Prophecy / Types and Prophecies from the Old Testament / Genesis / Gen. 22:9-13: Sacrifice of Isaac / Type for the Crucifixion (BP) / Miscellaneous
Typology and Prophecy / Types and Prophecies from the Old Testament / Exodus / Exod. 12:7 and 13: The Israelites mark the door with the blood of the lamb / Type for the Crucifixion
Typology and Prophecy / Types and Prophecies from the Old Testament / Exodus / Exod. 17:6-7: Moses smites the rock / Type for the Piercing of Christ's side
Typology and Prophecy / Types and Prophecies from the Old Testament / Numbers / Num. 13:24: The spies carrying grapes from the Promised Land / Type for the Crucifixion
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Crucifixion / with Gen. 22:9-13: Sacrifice of Isaac (BP) / Miscellaneous
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Crucifixion / with Exod. 12:7 and 13: The Israelites mark the door with the blood of the lamb
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Crucifixion / with Num. 13:24: The spies carrying grapes
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Piercing of Christ's side / with Exod. 17:6-7: Moses smites the rock
Old Testament / Genesis / Abraham and Isaac / The sacrifice of Isaac / The angel stays Abraham's sword but does not point to the ram / Without servants
Old Testament / Exodus / The Israelites in the Desert / Moses strikes water from the rock (Exod. 17:6-7)
Further details
In the centre the Crucifixion (panel 4, modern replacement) surrounded by the Moses strikes the rock (left, 10), the Spies with the grapes (bottom, 7), the Marking of the doors with a Tau (right, 12) and the Sacrifice of Isaac (top, 15)
Artist or creator
Date
1200 (circa)
Location
Canterbury, Christ Church Cathedral, Corona (I (East), 1st register)
Associated persons
Ian Jones (The Warburg Institute) (Photographer (analogue))
Notes on photograph
Bibliographic Citation
Madeleine H. Caviness, The Windows of Christ Church Cathedral Canterbury (Corpus Vitrearum Medii Aevi, Great Britain, 2), London 1981, pp. 165-172
Rights and Permissions
This material is licensed under a Creative Commons Attribution-Non Commercial 3.0 Unported License
Contact
For comments or queries, please contact photographic.collect@sas.ac.uk