Iconography

LITERATURE

Modern / Comestor, Petrus / Historia Scholastica / Non-biblical Episodes / Daniel - Nabuchodonosor's body cut into 300 parts and fed to 300 birds

RELIGIOUS ICONOGRAPHY

Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Manuscripts / Einsiedeln, Stiftsbibliothek, Cod. 206(49) (Paris, c1450-1460)
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / In progress-provisional / Einsiedeln
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 25: The dead Christ mocked and pierced with a lance / 25d: Evil-Merodach cuts the body of his father Nabuchodonosor in 300 parts and feeds them to 300 birds / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 25: The dead Christ mocked and pierced with a lance / 25d: Evil-Merodach cuts the body of his father Nabuchodonosor in 300 parts and feeds them to 300 birds / Variant: Nabuchodonosor's body on the ground, Evil-Merodach holding one arm, preparing to cut it off
Typology and Prophecy / Non-biblical narratives treated as Types / Evil-Merodach cuts the body of Evil-Merodach into 300 parts / Type for the Crucifixion (SHS) / Speculum Humanae Salvationis (Type for the Mocking of Christ on the Cross)
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Crucifixion / with Evilmerodach cutting the dead body of his father Nabuchodonosor into 300 parts (SHS) / Speculum Humanae Salvationis (Type for the Mocking of Christ on the Cross)

Further details

Artist or creator

Paris related to works of the Dreux Budé Master and the Coëtivy Master

Date

1450 (circa) - 1460

Location

Einsiedeln, Stiftsbibliothek, Cod. 206(49)

Book, text or document (source of image)

unknown author. Speculum humanae salvationis.

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Web resources

Photo on external webpage

Rights and Permissions

This material is licensed under a Creative Commons Attribution-Non Commercial 3.0 Unported License

Contact

For comments or queries, please contact photographic.collect@sas.ac.uk
IIIF manifest for this object