Iconography
GODS AND MYTHS
HISTORY
LITERATURE
Ancient / Valerius Maximus / Facta et dicta memorabilia / IV.1. ext. 7: Solon commands to dedicate the golden table found in the sea to Apollo
MAGIC AND SCIENCE
RELIGIOUS ICONOGRAPHY
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Manuscripts / Glasgow, University Library, Hunter 60 (Bruges, 1454-1455)
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 5: The Presentation of Mary in the Temple / 5a: Presentation of Mary in the Temple / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 5: The Presentation of Mary in the Temple / 5a: Presentation of Mary in the Temple / Variant: Mary standing, on the altar, with Anne, Joachim, a priest and additional persons
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 5: The Presentation of Mary in the Temple / 5b: Fishermen find a golden table and bring it to the temple of Apollo / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 5: The Presentation of Mary in the Temple / 5b: Fishermen find a golden table and bring it to the temple of Apollo / Variant: Body of Water or sun not shown
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 5: The Presentation of Mary in the Temple / 5c: Jephte sacrifices his daughter / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 5: The Presentation of Mary in the Temple / 5c: Jephte sacrifices his daughter / Variant: Jephte's daughter kneels on the ground, he stands besides and prepares to behead her
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 5: The Presentation of Mary in the Temple / 5d: The Queen of Babylon looks from the Hanging Gardens to her home country / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 5: The Presentation of Mary in the Temple / 5d: The Queen of Babylon looks from the Hanging Gardens to her home country / Original composition: Queen standing on a tower on which trees are planted, alone
Typology and Prophecy / Types and Prophecies from the Old Testament / Judges / Jud. 11:39: Jephte sacrifices his daughter / Type for the Presentation of the Virgin (SHS) / Speculum Humanae Salvationis
Typology and Prophecy / Non-biblical narratives treated as Types / The Queen of Babylon looks from the Hanging Gardens to her home country / Type for the Presentation of the Virgin (SHS) / Speculum Humanae Salvationis
Typology and Prophecy / Non-biblical narratives treated as Types / The golden table that had been found in the sea is brought to the temple of Apollo / Type for the Presentation of the Virgin (SHS) / Speculum Humanae Salvationis
Typology and Prophecy / Antitypes for episodes from the Infancy of Christ / Presentation of the Virgin / with Jud. 11:39: Jephte sacrifices his daughter (SHS) / Speculum Humanae Salvationis
Typology and Prophecy / Antitypes for episodes from the Infancy of Christ / Presentation of the Virgin / with the golden table that had been found in the sea brought to the temple of Apollo (SHS) / Speculum Humanae Salvationis
Further details
Artist or creator
Date
1454 - 1455
Location
Glasgow, University Library, Hunter 60 (T.2.18)
Associated persons
Ian Jones (Photographer (digital))
Book, text or document (source of image)
unknown author. Speculum humanae salvationis. Folio: 7v.
Notes on photograph
Bibliographic Citation
M. R. James and Bernhard Berenson, Speculum Humanae Salvationis, being a reproduction of an Italian manuscript of the fourteenth century, Oxford 1926, unnumbered plate in the appendix
Rights and Permissions
This material is licensed under a Creative Commons Attribution-Non Commercial 3.0 Unported License
Acknowledgements
Record created with the generous support of the Kress foundation
Contact
For comments or queries, please contact photographic.collect@sas.ac.uk
IIIF manifest for this object