Iconography

RELIGIOUS ICONOGRAPHY

Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Manuscripts / Cologne, Historisches Archiv, Best. 7020 (W (asterisk)) 105 (probably Cologne, second half 14th century)
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 20: Flagellation of Christ / 20a: Flagellation of Christ / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 20: Flagellation of Christ / 20a: Flagellation of Christ / Original composition: Christ stands behind the column, one executioner on each side
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 20: Flagellation of Christ / 20b: Achior is bound to a tree / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 20: Flagellation of Christ / 20b: Achior is bound to a tree / Original composition: Achior in the centre, at the left and right two men binding him to a tree
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 20: Flagellation of Christ / 20c: Lamech is beaten by his two wives / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 20: Flagellation of Christ / 20c: Lamech is beaten by his two wives / Original composition: Lamech and his wives standing, wives wielding no weapons
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 20: Flagellation of Christ / 20d: Job is beaten by the devil and reproached by his wife / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 20: Flagellation of Christ / 20d: Job is beaten by the devil and reproached by his wife / Original composition: Job naked on the dunghill, at one side the devil with a scourge, at the other side Job's wife with a rod carrying three banderoles (often misunderstood)
Typology and Prophecy / Types and Prophecies from the Old Testament / Genesis / Gen. 4:23-24: Lamech beaten by his wives / Type for the Flagellation of Christ (SHS) / Speculum Humanae Salvationis
Typology and Prophecy / Types and Prophecies from the Old Testament / Judith / Judith 6:9: Binding of Achior / Type for the Flagellation of Christ (SHS) / Speculum Humanae Salvationis
Typology and Prophecy / Types and Prophecies from the Old Testament / Job / Job 2:7-10: Job on the dunghill, tormented by the devil and reproached by his wife / Type for the Flagellation of Christ (SHS) / Speculum Humanae Salvationis
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Flagellation of Christ / with Gen. 4:23-24: Lamech beaten by his wives (SHS) / Speculum Humanae Salvationis
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Flagellation of Christ / with Judith 6:9: Binding of Achior (SHS) / Speculum Humanae Salvationis
Typology and Prophecy / Antitypes for episodes from the Passion of Christ / Flagellation of Christ / with Job 2:7-9: Job on the dunghill, tormented by the devil and reproached by his wife (SHS) / Speculum Humanae Salvationis
Old Testament / Genesis / Cain and Abel / Cain and his family (Gen. 4:17-22) / Lamech beaten by his wives (Gen. 4:23-24)
Old Testament / Judith / Achior's intelligence (Judith 5-6) / Achior bound to a tree (Judith 6:9)
Old Testament / Job / Job lamenting on the dunghill (not depicting a specific moment in the narrative) / with his wife, without his friends / with the devil tormenting him (Job 2:7-9)
Life of Christ / Passion / Flagellation / Two executioners

Further details

Artist or creator

Cologne (attributed)

Date

14th century (second half)

Location

Cologne, Historisches Archiv, Best. 7020 (W (with asterisk)) 105

Book, text or document (source of image)

unknown author. Speculum humanae salvationis.

Rights and Permissions

This material is licensed under a Creative Commons Attribution-Non Commercial 3.0 Unported License

Contact

For comments or queries, please contact photographic.collect@sas.ac.uk
IIIF manifest for this object