Iconography

RELIGIOUS ICONOGRAPHY

Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Manuscripts / Paris, Bibliothèque Nationale, Latin 9584, and Cambridge, Fitzwilliam Museum, MS 43-1950 (Tuscany or North-Eastern Italy, c1370-1390) / Chapters 40c-45f (Cambridge, fols. 18-25)
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 44: The Seven Sorrows of Mary / 44e: Fourth Sorrow: Mary learns that Christ was betrayed / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 44: The Seven Sorrows of Mary / 44e: Fourth Sorrow: Mary learns that Christ was betrayed / Variant: Carrying of the Cross
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 44: The Seven Sorrows of Mary / 44f: Fifth Sorrow: Crucifixion / All images
Typology and Prophecy / Cycles / Manuscripts and Prints / Speculum humanae salvationis / Chapter 44: The Seven Sorrows of Mary / 44f: Fifth Sorrow: Crucifixion / Variant: Single Cross, flanked symmetrically by Johan and Mary whose breast is not pierced with a sword
Life of Christ / Passion / Way to Calvary / Christ carrying the cross / Christ upright / Without Veronica / Without Simon of Cyrene
Life of Christ / Passion / Crucifixion / Single cross / With Virgin and Saint John only / Symmetrical / Without skull

Further details

Artist or creator

Tuscan or
Italian (North-Eastern)

Date

1370 (circa) - 1390 (circa)

Location

Cambridge, Fitzwilliam Museum, 43-1950

Book, text or document (source of image)

unknown author. Speculum humanae salvationis. Folio: 23v.

Notes on photograph

Bibliographic Citation

Montague Rhodes James and Bernhard Berenson, Speculum Humanae Salvationis. Being a reproduction of an Italian manuscript of the fourteenth century, Oxford 1926

Find out more

Web resources

Fitzwilliam Museum

Rights and Permissions

This material is licensed under a Creative Commons Attribution-Non Commercial 3.0 Unported License

Contact

For comments or queries, please contact photographic.collect@sas.ac.uk
IIIF manifest for this object